lee purkis aka insync ,this is the first and last repress of an out and out classic. >storm< was the first in sync release on irdial-discs and has always been the most requested 12 inch.. widely regarded as one of the best techno records ever to be released from the island, its a proof that sometimes less can manifest itself as so much more. this is a highly limited edition

ortin cam is only 23 years old but already has releases on labels such as missile, traum, minimaxima, session, lupp, spilo... this year hes also being asked to produce the i love techno 2006 anthem!on selected worx we can find some of his best tracks to date. gladiator is a speedy j kinda brutal dancefloor destroyer for those peaktime moments. crack music sounds a bit funny and could have been made by daft punk! find my way is a truly beautiful dreamy/trancy minimal stomper and miles apart is ultra funky dancefloor stuff that will make your crowd go wild

frank martiniq comes back with two stunning tracks that can be regarded as vehicles for the transport of personal thoughts, feelings and perceptions with a strong focus on franks reawakened love for detroit sounds !!

montreal born native alex hender started his career in the mid 90s. after watching one of his friend djing at a high school dance party, he decided to buy a pair of turntables, a mixer and began shopping some records. its in a record shop,at the age of 15, that he discovered the sound of new york and chicagos house.alex has been a resident in some of montreals most famous clubs. the legendary limelight was his first home. he also played at redlite, gravity and a lot of other gigs around the city. being a buyer for years in a record shop, alex got in touch and upfront with whats hot & whats the next big thing.his musical style got a lot of influence from the funky chicago stuff and the dirty german minimal tech sound.since then, aside from djing and collecting an amazing amount of vinyls, alex focuses more into production, to reach another step in his career. we can only expect greater things to come from him in the future

living records is a new label masterminded by londons dub kult. fitting with dub kults dj style,the musical focus of the label is very much fixed on the dancefloor with an experimental, leftfield edge.providing something for the body, mind and soul as they say. a unique feature of living is that each vinyl release will have a free exclusive mp3 that can be downloaded from the livingrecords

one listen to ‘atlantis to interzone’ and the several miles of dots between post punk psychedelic pop and pill popping dance music are quickly joined, where screaming sirens and samples straight out of a field in ‘89 give way to the punked out half-falsetto, half melodic breakneck vocals and drums. klaxons (that s jamie, simon and james) created a chorus that can be both screamed drunkenly and sung quietly to yourself on the bus. this anthem (of the year?) is offered with remixed version by our extra-skills duo digitalism, alongside an extra long industrial technoid mix by nightmoves and a ‘break for love’ mix by dave p and sparkles’

berlin s dj kaos joins salvatore principato from liquid liquid on percussion and captain comatose s khan on vocals for this long, epic disco number that meanders interestingly for many minutes before the song kicks in for the latter half of the track. the best of crazy disco in town : tom moulton can be jealous. plus a great brennan green re-edit and a « bad house » crazy mix from khan using old drum machines

the second worldwide vinyl single of swanky tunes from upcoming debut album streamline! supported by kris menace (defected), patrick alavi (roxour, sugarland), mason (great stuff recordings), delphine queme (bureau records), ricky ryan aka can costa (buenos aires, argentina), blendbrank (bugeyed records) etc

dirty house monster with decent electro touch. you can hear ny house influences from danny tenaglia to cevin fisher. already hammered by roger sanchez, wally lopez (pacha/ibiza) , danny tenaglia, marcus james (renaissance)

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. featuring guest appearances from subject detroits dj bone, la based singer ovasoul 7, vocalist and guitarist justin chapman, who is also onehalf of the atlanta-based dj/production duo kemeticjust and the one and only paris the black fu from the detroit grand pubahs. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor !!

1st release on lektrik is prod. by polish house producer robert m. who gets some serious attention at the moment withhis >cafe de paris< release on joia records. this track is supported by roger sanchez, tom novy or boris dlugosch.robert m. has also just finished a big remix for the new oliver koletzki single >yes i can fly< on yesionova records

phat melancholic neo trance / retro electro tech burner !!! incl Özgür can remix !!!

smooth carl finlow house tracks with a electro feel. probably one of his most floor orientated releases in a while. can be compared with his massive il.ek.tro release on klang but more straight forward. this even reminds us of the classic o

notic nastic is, once more, another newcomer act on tonkind, who has to be watched with highly attention. its predicated individual sound made it become a hype on myspace within a month. so other labels, producers and popular djs already are asking to license and to remix several tracks, although it isn’t even out yet. we can t give to much infos about the backround and identity of the charachter behind this act, due to the fact that there is an aim, to stay anonym. that gives us more space to talk about the music itself and esspecialy about this debut release on tonkind

hernan cerbello is an argentinean dj and producer that made his way to underground scene because of the selected music style of his sets and productions. electro, tech, disco and funky are the main flavours he can present.

2 album tracks ft. paris the black fu !! combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor

with this fluid you can clean your stylus for better sound

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet

nice price deal !!! the infrequent recording career of rob rives resumes with this chunky wave tec 12 which provides for twenty minutes of nice n crunchy electronic house, often verging on the techno side of things. melody attack takes a while to warm up, but once the miasma of jagged keys,grindy synths and clipped drums reaches their optimum level, things can only continue to climb. counter attack is a dubbier eleven minute excursion along the theme of the a side

ginny s unique 1983 slow burning >can t be serious< has some very intense vocals and has conquered the hearts of many. now finally available again, remastered from the original tapes. renowned jazz-funk fusionist clive stevens has a career spanning over 30 years and has collaborated with the likes of afrika bambaata, manfred mann, billy cobham and others. his 1983 >mystery man< track is a beautiful, exotic cosmic disco jam previously released on italian label >many records< and the german >frog records<. this rare and sought after track comes in orignal remixed version featuring famous percussionist/composer mino cinelu who has played with miles davis and weather report

first system specially for final scratch and other digital systems.. fnally, technology has become an art. the digitrack is the perfect marriage of ease and function. with the advent of new computer technology, a dj can now manipulate mp3’s with the style and feel of a turntablist and the tradition of a turntable. introducing the world’s first needle designed specifically for coded vinyl with low wear, high output and the best mix and scratch ability.

ortofontonabnehmer for finalscratch and other digital systems -- fnally, technology has become an art. the digitrack is the perfect marriage of ease and function. with the advent of new computer technology, a dj can now manipulate mp3’s with the style and feel of a turntablist and the tradition of a turntable. introducing the world’s first needle designed specifically for coded vinyl with low wear, high output and the best mix and scratch ability.

aw recordings is proud to introduce a new talent to the scene. erell ranson is a passionate french producer who has been creating his deep and very emotional music for years ago.. what you can expect? erells influences are the belleville three juan atkins, derrick may and kevin saunderson. any further questions?

if you are listening to his new album, you can feel every single heartbeat, every single thought, he has invested in his work. terry lee brown junior is not one of thoose artists, who are adding one simple beat to another, he is that type of producer, who opens his heart to his audience, adding all his passion and love to his compositions..

and this first vinyl sampler covers both sides, with the traditionally monday thing to the slowed down funk of fun with a k. these are the 12inch versions, by the way – so for the next 6 weeks the vinyl will be the only place that djs can get the more club-oriented tracks on the album. only limited copies will be printed, and this is the first of a set of three samplers to release 12inch of the entire album on vinyl. dj support - does any label cross as many boundaries as this? claude von stroke to ame and the unabombers

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.

with this release on drumpoet he presents kadena,a track which already acclaimed much attention by the likes of âme and dixon and creates a fresh symbiosis between disco and detroit. an emotional and bootyshaking tune which can take you higher and make you want to move it. on secret playground he goes into the more dubby side of this ep and provides a deep minimal excursion with a warm and almost cinematic feel. lexx is a musiclover so his spectrum is huge, but all we can say is, that this man knows what he does and there are many things to say about this record but theres nothing better than listening to it

nice price deal !!! and this first vinyl sampler covers both sides, with the traditionally monday thing to the slowed down funk of fun with a k. these are the 12inch versions, by the way – so for the next 6 weeks the vinyl will be the only place that djs can get the more club-oriented tracks on the album. only limited copies will be printed, and this is the first of a set of three samplers to release 12s of the entire album on vinyl. dj support - does any label cross as many boundaries as this? claude von stroke to ame and the unabombers. plus john acquiviva, paul woolford, d julz, fex, james talk, jerome pacman, mazi, ralph lawson

big compilation on the mighty harthouse label with twelve tracks by extrawelt, der dritte raum, zoo brazil, gui boratto, john dahlbaeck, alexi delano, groove rebels , oezguer can, stanny franssen, joel mull and terence fixmer

inc. mikael stavöstrand rmx sunset diskos – the deep and funky minimal techno label from mikael stavöstrand. presents it second release with a four tracker from our man in los angeles. a bit different from what you usually hear from this guy but for sure funky and chrunchy. starts off with a minimal, deep and clever melodic piece >its in the eyes< , evolving as slowly as it should .. into the next step with a bit deeper touch >in charge<. the flip side continues with >about to be< pushing the groove to the max before we find mikael stavöstrand taking >in charge< forward into deep minimal techno terrains including lots of small crunchy rythms , deep vocals and a serious groove. apendics.shuffle – aka. kenneth james gibson, a man of many personas. keeping up with him can be a time consuming, yet rewarding venture into sound

with a distinctive wonky hookline and fat dubby bassline, >unde< by italy s duoteque rolls along lazily as the third track of the sampler. differing from a lot of their earlier productions, this ep shows how versatile this outfit can be as this track really shows off their summer feel. second on the second sampler is another new hot producer from south america, seph. label support from luciano, craig richards, magda, troy pierce, kiki, matthew dear, lee burridge, ralph lawson, paul woolford and many more...

multiple partitionen part four on berlin based label nachtfrequent with rafeal fortuna and he show us how interessting und funky can be rhythmic structures, bleebs and percussions !!

four tracks of the finest minimal techhouse on offer, each from a different and fresh talent on matt tolfrey s excellent imprint. huge support expected from damien lazarus, rui da silva and rob mello amongst others

>get on up< was dj rush s biggest stike so far. with remixes of the best techno producers like eric sneo, thomas p. heckmann, chris liebing and rob acid, t:classixx pushed the track in the clubbers heart. back in the days sven wittekind and robert natus take the tune to other level. on the a side you will find the sven wittekind remix. whose interpretation is a hard, rugged one that seems to be coming alive the longer it lasts. vocal stabs, an enormous dose of hi-hat action and noisy twisters make this one very useful being played at the bigger venues. robert natus is responsible for the second mix of the track on the flipside. the german-based producer delivers a remix in his so characteristic style, as can also be heard on his releases through labels such as systemcalls, planet natus, abstract or bitshift music..

already played by richie hawtin, karotte, sven väth and magda! tattoorecs is label with a very simple concept. the tracks released dont have titles, they have tattoos. tattoos are the ultimate dedication of love. wether its a name, a symbol or a number tattoos are there because they are important to the owner. they dont have to be beautiful or elegant, and they dont have a meaning to anyone but the owner. some people seek acceptance and follow the mainstream with their body art. some people push the limit and reinvent what a tattoo can be some people stay true, and go old school with their tattoos thats why tattoos and music are so alike. these tracks are a part of us. we have created them with our hearts. .

after almost two years and a couple of releases on labels like karloff, fenou, orac, contexterrior, friends of tomorrow and resopal dapayk is coming back to his own imprint mo s ferry prod. the single dapayk solo >impulsion parasite< is a foretaste to his album coming out this september. for all of them who can’t wait…check out this totally wicked two tracker. >frick< out ! :

pohjola is maybe the most mysterious spanish label at the moment with its gothic letters and images on the label. this is a four tracker which can be described with the spectrum from mania to shizzo psycho, some say it sounds like jeff mills would produce these beats if he would be young and on crystal. dancebeats for an advanced generation

tresor has the pleasure to release joey beltram s outstanding new 2-track 12inch ep >code 6< - more original and inventive material from the beltram mind. way back in 1990, he released two of his very first maxis under the alias code 6, securing his place in the techno underground. this inspiration from the past opens side a with the first track >aumento<, signalling increase: increase in his signature drive of techno beats, rich in layered sonics, splintering high-hats and vocal samples that keep the lid on the box of bouncing sub-atoms in a techno nucleus. we can certainly thank joey beltram for keeping the underground alive and rave consciousness thriving

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

this 12inch sampler is taken from james talk s new mix album, the second in the thinking out loud series. and features two of the albums quality selections. the dubed out sounds of >hernan cerbello s - don t disturb< reflect the albums warm up qualities.. while hernan cerbello s >don t disturb< is a tech house stomper that will give you an idea of james at his very finest!.

side a tech funk bass fuelled fresh as fresh can be sound. skanky bassline, ska style stabs and techno pads and tripped out synths send ya head way ward.side b takes on the same direction as the a side but comes in with a dreamy old skool vibe vocal to get the ladies excited, it seems to feel a lot faster than it actually is, energy flowing from each kick and snare. dont get the wrong idea when i say this track turns into a floater, were talkin hands in the air smiley dreamy touchy feely break beat! nice!

after five succesful releases which have generated support by just about anyone you can think of (martin landsky, dominik eulberg, plastikman, michael mayer, frank lorber, mandy etc) - these ten-inch vinyls have reached number 6 (out of 10) in the series. once again labelowner agaric has made the a-side track, for this one a delightfully melancholic peace of music yet with a pounding bottom groove to go with it. guesting the b-side is the brilliant young star from jena: mathias kaden, known for recent outstanding work on labels like vakant and freude am tanzen

baggy bukaddor and tim fishbeck are well known producers and remixers out of germany mostly known for their excellent work on electribe and mutekki records. here they are on sounds good records with two new very exiting productions under the disguise of >audiosex<. >pork< on the a-side can be described as a groovy minimalistic track with lots of efx s and a heavy bassline. g-string on the flipside is a techie groovy minimal track with overlaying old school strings. played by loco dice, daniel taylor, tania vulcano, saints & sinners, oliver moldan

at last, a remix of this song. it s almost shameful it s taken so long. but you can count on hell to deliver the goods. here he has remixed together with smallboy (aka tiefschwarz producer jochen schmalbach) the latest hit single from superstars fischerspooner we need a war. hell and smallboy have brought out the hardest beats on this track and stripped the groove back to reveal its minimal essence. do your feat a treat and get down to this fabulous remix of we need a war

dyno kicks it again.the new single ologortimo is ready. after invading the night italian radio waves you can now find 2 versions to blow the tek house scene. take a look also to the cover of ologortimo where we a special featuring from dynos fave graphic designer melo. this time its not about the 2 a.m. and 4 a.m. version, its about the right dimension. enjoy it

the 5th release in the goathead series comes from the swedish techno trio headroom. >dynamo< is a more tech-house influenced track that puts the f in funk! in >720< you can clearly hear influences from old electro to daft punk in here... 19.06.2006

clink003 is the long awaited solo production debut by camea. this hard working female dj and producer brings her musical perspective to the digital audio massive with three strong, artistic and variant tunes on this e.p. the titled track, wire tap, can be described as nothing less than 8 minutes of peak hour minimal techno, influenced by star producers like audion and sleeparchive. from the suspenseful and clicky start of this tune it is obvious that camea s focus is to tap into the wires on the dance floor and give attentive audiences a run for their money

big classic vinyl sampler